Copyright 2017 Martyn Shaw
17th International Conference on Nineteenth-Century Music (University of Edinburgh). June 2012. Conference Paper: ‘Vibration’ in flute performance practice in early nineteenth-century England.
Royal Music Association. Research Students’ Conference (University of Hull). January 2012. Conference Paper: ‘Vibration’ in flute performance practice in early nineteenth-century England.
Society for Musicology in Ireland. 5th Post-Graduate Students’ Conference (Dublin Conservatory of Music and Drama). January 2012. Conference Paper: ‘Vibration’ in flute performance practice in early nineteenth-century England.
University of Birmingham. March 2012. Research Seminar: Vibrato in early nineteenth-century England.
University of Birmingham. June 2014. PhD Thesis: ‘“The Nicholsonian Effect”: Aspects of ‘Tone’ in Early Nineteenth-Century Flute Performance Practice, with Particular Emphasis on the Work of Charles Nicholson (1795-1837).’
Royal Musical Association Annual Conference. University of Leeds. September 2014. Session Chair: Subjectivity and Identity in Music.
Open Unversity. The Music Profession in Britain 1780-1920: New Perspectives on Status and Identity. September 2015. Conference Paper: ‘A career of almost unexampled prosperity’: Performance, pedagogy and flute design in the work of Charles Nicholson (1795-1837).
University of York. January 2016. Seminar: Rhetoric and Etiquette.
Performance Studies Network Conference (Bath Spa University). June 2016. Conference Paper: The ‘Nicholsonian effect’: Tone-colour in the flute performance practices of nineteenth-century England.
CD Publication. June 2016. Omnibus Records. ‘Nicholsonian Effect’. Works for flute and piano from nineteenth-century England. Martyn Shaw – ‘Nicholson’s “Improved” Flute’; Jonathan Gooing – Erard Pianoforte.
University of York. October 2016. Seminar: Baroque Dance Suite.
University of Huddersfield. March 2017. Seminar: Historical flute performance practice.